I managed to spread the first three volumes of this series out over the span of four months, but then RIP started and I love this series and I couldn’t help myself and read the last three over the course of 24 hours. As you do. I can’t say I’ve finished the series, thankfully, as I have been made aware of both an audio adaptation of the series and some one-shot comics in the universe that are not yet free to me but which might need to be purchased anyway because yes.
In these last three volumes, things get pretty intense, which is quite a feat for a series that started off with a violent murder. We finally get the backstory of Keyhouse and just how all those keys came to be in existence, and we find out how Dodge came to be, well, Dodge, and what he’s willing to do to make his evil dreams come true. Terrible things happen to people we’ve just met and people we’ve (I’ve) come to love. Awful truths are told and inevitable truths are encountered. Things go very very poorly, but, spoilers, things also turn out all right.
I obviously love the insane premise and plot of this series, with magic keys and evil schemes and spooky wells and mean shadows and supernatural enemies everywhere. But what I think makes this series so perfect is that Hill and Rodríguez depict all of this happening to actual real human beings with actual real human emotions and flaws (except when said emotions have been removed but that’s a whole other thing). Our kid heroes deal with kid problems and also adult problems that kids run into — making new friends, navigating relationships, dealing with an alcoholic parent, taking on adult responsibilities when no one else will. They also deal head-on with societal prejudices of race, class, disability, sexual orientation, and more, and force the reader to look at their own assumptions, like my very serious assumption that the dude with ridiculous facial hair was obviously going to be a bad guy (spoilers: somehow not at all?).
And, of course, the art is amazing. I’m much worse at describing my love for comics art than prose, but I think it’s right when I say that the drawings — the shapes, the facial expressions, a flip of hair — and the colors perfectly exhibit the emotions of the characters and the world around them. There are some interesting similarities in the way that some characters are drawn that I at first took for a mistake but may, looking back, be part of a larger story, and I love that I can see that in this book.
There are problems in the series, of course, from overly simplistic characterizations to completely unlikely dialogue to too-easy answers to the slightly-too-happy-for-me ending. But there is so much good in it that I am willing to let that slide, and then to seek out all the everything ever set in this universe, so clearly I am head over heels for this thing.
Are there any comics or stories in general that make you feel this way? What other series are the complete package like this one?