The Wanderers, by Meg Howrey

The WanderersI have so many things I want to say about this book, but I’m finding it hard to phrase any of those things in ways that won’t give away, you know, all the things I have things to say about. So let me give you a little plot summary up top, and then if you’re intrigued you can go read the book and come back to this.

PLOT SUMMARY: We follow along as three astronauts are selected for a potential future Mars mission, of which the first part is a real-time simulation in the Utah desert. We get to see this simulation mission from the eyes of the astronauts and certain of their family members, and we get to learn not only how the mission works practically but also physically and emotionally for all of these characters. There’s an older American woman who’s a bit past her prime and knows it, along with her daughter who doesn’t really know how to exist outside of her mother’s shadow; a Russian man who’s decided to go through a divorce at the same time as this simulation mission and his son who’s using this time in America to explore his sexual identity; and a young (for an astronaut) Japanese man who seems pretty normal, although he and his wife, some kind of bigwig in companion robotics, have a very strange and superficial relationship.

Kinda cool, right? I thought so! If you think so, stop here. Seriously, stop. Here’s a recommendation for you, so you don’t even have to scroll to the bottom:

Recommendation: For sci-fi fans who like a little existential crisis in their narratives.

Okay, but, seriously. Spoilers ahead!

SPOILERS: Okay, so, the plot up there really is the basic plot of the story, but there’s also this really really weird subplot that had my brain breaking for most of the book. Pretty early on the author starts dropping hints that there’s something weird about this simulation mission. Everything feels really… real. Exceptionally real. Too real. But it’s only hints here and there until near the end, when she kind of drops the act and has one of the characters be like, hey, are we actually secretly in space right now?

Which, of course not, because why would you secretly send astronauts to Mars and not even tell the astronauts they’re going? Why would you secretly send astronauts to Mars for them to stay like two days and then come back? Why would you bother to create an elaborate Mars simulation to put on top of ACTUAL MARS?

But, on the other hand, you could, right? And if you did, wouldn’t that look exactly like this?

SPOILERS WITHIN SPOILERS: You know that movie A Beautiful Mind? I thought this book would end up like that movie, where I was totally on board with the weird government spying shenanigans (or whatever, it’s been a while) and then the movie was like, psych! He’s got a mental illness!, and then I was like, whaaaaaaaaaaaaaaaat.

SERIOUSLY ALL THE SPOILERS WHY ARE YOU READING THIS IF YOU DON’T WANT SPOILERS: Except that this book never gets to a whaaaaaaaaaaaaaaaat. It leaves you hanging. And so instead of being able to be like, oh, book, look how you tricked me, I am now, weeks later, still coming up with conspiracy theories about how they totally did go to Mars, but now they’re dead, or that they totally didn’t go to Mars but this whole thing was an incredibly elaborate psychological experiment about the effects of simulations on humans, or that Mars isn’t even a planet and scientists have been lying to us this whole time. I DON’T KNOW ANYMORE.

I kind of love that the book starts out like it’s going to explore the themes of what’s real and what’s fake and what’s performance and whether we can tell the difference between any of that, even our own realities and such, through the various characters we meet and their inner and outer dramas… and then it’s like eff it, let’s get completely literal here. It’s a serious hit-or-miss move, and I can imagine that it’s going to miss for a lot of people, but it hit me square in the existential feels.

But seriously. Is Mars real? Asking for a friend.

Weekend Shorts: Science Ladies on Audio

I’ve been meaning to throw this post together for ages, but it turns out that I am super embarrassed by my complete inability to separate two of these books in my brain and thus have had an almost complete inability to tell y’all about them. But the time has finally come to admit to my failures, mention to you some really awesome books, and promise myself not to make silly mistakes in the future.

What books have I got permanently confused?

Rise of the Rocket Girls, by Nathalia Holt
and
Hidden Figures, by Margot Lee Shetterly
Rise of the Rocket GirlsHidden FiguresYou see, what had happened was, I really wanted to listen to Hidden Figures, but it had a miles-long holds list. Then I remembered that there also existed Rise of the Rocket Girls, with a slightly shorter holds list, so I waited patiently for that. And then, immediately after finishing it, Hidden Figures came in. And so I listened to two books about a large cast of women working as computers for various parts of the space program back to back. This was fine, as far as listening to things goes, but terrible if you want to tell other people what you think.

Aside from my own mistakes, part of it is also that these books do have large casts of characters, and so even while listening to each of them I found myself being like, wait, who is this? Do I know her? Is she new? Ah, whatever, I’ll figure it out later.

Both books are interesting looks into history at long-ignored people who did important things, both look at these women’s lives both at work and at home, and both talk of how white dudes totally didn’t want these jobs until they totally did and how that affected the work. If I could go back and listen to just one, I’d pick Hidden Figures as it is a little more tightly written and easier to follow, but they’re both quite good.

And now, books I’m not confusing for other books:

The Immortal Life of Henrietta Lacks, by Rebecca Skloot
The Immortal Life of Henrietta LacksI have no idea why this book took me so long to get around to. If you’ve also been putting it off, you should definitely check it out.

There are two stories packed into this book: one about the cancer cells from Henrietta Lacks that became both immortal and hugely important to science, and one about Henrietta Lacks’s family and how they live in the shadow of these cells but reap essentially no benefit from them. For most of the book, I think Skloot does a good job of combining these two stories to give a broader picture of the health care industry, medical ethics, science as a calling vs. science as a money-making industry, and of course race and class and the huge disparity in healthcare based on those things.

Toward the end I felt like the family story went a little off the rails and I found myself checking my audiobook timer to see how much was left a little too often, but the vast majority of the book was solid, and solidly awesome. Very much recommend.

Word by Word, by Kory Stamper
Word by WordThis doesn’t exactly fit the science (SCIENCE!) theme I’m going for, being a book about dictionaries, but this is my blog and I say it’s close enough!

Stamper is a lexicographer (which certainly sounds science-y) for Merriam-Webster and in this book she takes the reader through the process of writing a dictionary, which is SO HARD, guys. She writes about defining words like “that”, choosing which words go into which versions of the dictionary, dealing with people who are upset about certain words and definitions, dealing with the fact that words won’t stop changing, and about the intricate nuances of the dictionary’s style guide, among other scintillating (yeah, kind of, actually) topics.

I loved the heck out of this book, and I even got my husband to tear his focus away from the internet while I listened to it on a road trip, so even if you’re not the nerdiest word nerd that ever loved words I think you’ll find some good stuff in this book.

The Collapsing Empire, by John Scalzi

The Collapsing EmpireGUYS JOHN SCALZI HAS A NEW BOOK OUT! I mean, did. Like three and a half months ago. But I am behind on my reviews, and maybe you are behind on your John Scalzi books, and if so, we can meet together here!

If you’ve read even one John Scalzi book — well, maybe two, there’s one that’s very different and I never finished it — you know the Scalzi oeuvre: One part science fiction, one part snarky humor, and a dash of F-bombs. This first book in a new series follows that formula pretty well, except for the F-bombs. There are a LOT of F-bombs in this book, such that even I, with my mouth resembling a sailor’s, was like, dang, dude, can we dial that back a bit? So. Forewarning.

If you’ve read any of the Old Man’s War series, you’ll be even closer to this new series, which includes much of OMW’s military style and crazy intrigue and crazier subterfuge, but in a whole new universe with new exciting characters to get to know and a fascinating quasi-scientific plot.

On one end of this universe you have the capital of the planetary system, where a new and rather reluctant Emperox is being crowned. She is meant to keep the Interdependency working smoothly, but from the time of her coronation it is obvious that that is going to be rather difficult, what with warring noble houses and also a terrible scientific secret.

On the other end of the Interdependency, at a planet smartly called End, you have the man who discovered this secret, living with his kids and trying to stay under the radar. When a member one of those aforementioned noble houses on End starts doing some odd political machinations that don’t make a lot of sense, the scientist realizes it’s time to send his son to the capital to explain just what exactly is going on with the space highways (vast oversimplification on my part) that rule the system.

In between these places we meet an F-bomb-loving noble-house type who really just wants to sell her dang plants but who gets drawn into the plots on both ends of the system when she takes the scientist’s son aboard her ship.

Put these all together and you have the beautiful space opera brain candy with a little bit of social consciousness thrown in that I love from John Scalzi. It’s super fun, kind of ridiculous, and I already can’t wait for the next in the series.

A Conjuring of Light, by V.E. Schwab

A Conjuring of LightMan. I was suuuuper excited for this book to come out earlier this year, and very upset that it took my library like three whole weeks to process it and get it in my grubby little hands so that I could devour it whole. I mean, not really, eating library books gets expensive. But my plan was to read it in, like, one sitting, and also to love it and cherish it forever and ever.

Best laid plans, and all that.

A Conjuring of Light picks up right after A Gathering of Shadows, with the Triwizard Tournament (still too lazy to look up its real name) just ended and Kell kidnapped to White London, where Holland is trying to pawn off the magic inhabiting and controlling him onto Kell. As one does. Holland fails, which seems good for Kell, except then the magic demon whatsit called Osaron decides to take over Red London, which is decidedly bad for Kell.

This leads to the pretty decent part of the book, which is all the plotting and planning on the part of pretty much everyone who’s ever been in this series to figure out how to save Red London, and by extension Red London’s whole world, from Osaron, who is off collecting bodies to control and using citizens as weapons against their own people. There’s machinations and sabotage and intrigue and I am so many kinds of for that. But then there is also this quest plotline where our pirates go off to find a MacGuffin to defeat the magic monster, which we know where it is because one of our characters sold it a while back and you just have to go to this mysterious floating market and trade away the thing you hold dearest in the world and ohhhhhhhhhhhhh my goodness why are we doing this when we could be plotting and planning and punching things in the face?

I wasn’t super on board with that part, is what I’m saying. Also not super on board with the continuing and completely unnecessary romance subplot, or the big boss fight at the end, or basically any time Kell and Alucard interact in this book. One thing I am totally on board with is the way Schwab handles the Big Reveal I’ve been waiting for this whole series, in that it just happens without a ton of fanfare and everyone’s like, yeah, no, that makes sense.

Overall I liked this book just fine; it’s a decent conclusion to a decent series that is mostly fun brain candy. But I wouldn’t read the series just to get here, is what I’m saying.