Weekend Shorts: Welcome to Persepolis

I’ve got two rather different offerings for you today. One is a graphic (as in pictures) memoir of Iran after the Islamic Revolution, the other is the first volume of scripts for the Lovecraftian podcast Welcome to Night Vale. You know, I said rather different, but there are probably more similarities between these two things than anyone wants to admit…

Anyway, let’s see what these are about!

The Complete Persepolis, by Marjane Satrapi
The Complete PersepolisThis was yet another of those book club picks that make me read a book I should have read a long time ago. I hadn’t read it because a long time ago, I was totally not into comics things (I know, right?) and had no interest in some picture book even if it was important or whatever. Oh, me. And unfortunately, oh, several of my book clubbers, as the low attendance at this meeting will attest.

But those who did come loved it, and I liked it quite a lot as well. It is a little difficult to get into, even aside from the pictures aspect, as the book is written as a series of vignettes of Satrapi’s life in Iran and Europe that don’t always flow smoothly one to the next. The breaks can be a little jarring and at least once I found myself wondering if I had managed to skip a bunch of pages because I had clearly missed something.

But the vignettes themselves are super interesting. Satrapi starts at the end of the Islamic Revolution, which overthrew one terrible government for a differently terrible government, as seems to happen in these sorts of revolutions. She talks about the abrupt change from co-ed secular schooling to sex-segregated Islamic schools, the new requirement to wear the hijab and other clothing restrictions, her own anti-authoritarian streak that got her in all sorts of trouble, her family’s involvement in the revolution and post-revolution politics, the bombings from Iraq, her time in an Austrian high school, her return to Iran, her marriage, and more. But the clear through-line is Satrapi’s difficulty in reconciling all of these parts of her life which have defined her in so many different ways that it’s hard to say who the “real” Marjane Satrapi might be.

Satrapi’s art style is kind of rudimentary, with imperfect lines and a pure black and white palette, but somehow she manages to capture the individuality of each of her characters and even of herself growing up and changing from a girl to a young woman to an adult. I was really impressed with this book all around and would definitely recommend it to you and your book club.

Mostly Void, Partially Stars, by Joseph Fink and Jeffrey Cranor
Mostly Void, Partially StarsYou guys already know my obsession with Welcome to Night Vale, but now you know that the obsession extends to reading written versions of episodes I have already listened to, which sounds weird even to me and I’m the one doing it!

And yes, it did take me rather longer to get through the book than I thought it would, partially because Night Vale is kind of a small doses thing and partly because, I mean, I already know what’s going to happen, here. BUT, it was absolutely worth it to pick up on little references and continuity things I missed the first time and for the short intros to each episode written by various Night Vale-adjacent people. I love a behind-the-scenes anything and this one is excellent.

If you’ve never listened to Welcome to Night Vale but want to, definitely listen first. If you’ve been interested in Night Vale but are not into the podcast thing, this is what you’ve been waiting for! If you love Night Vale, I’m sure the Sheriff’s Secret Police have already delivered you a copy.

Dept. H #1, by Matt Kindt
Dept. H #1Sneak attack bonus! I left this comic off my post-hurricane comics roundup a few weeks back, for reasons I cannot currently remember, so you get to hear about it now!

I pre-ordered this comic when I heard it existed because a) Matt Kindt, and b) the cover tagline that says “murder six miles deep.” Murder! In an underwater headquarters! Take my money!

This is just the first issue, so it has to cover some boring backstory bits, but it gets quickly enough into the going underwater business and the big murdery reveal. I’m super into the protagonist, who is a space person (not, like, an alien — I just don’t know what she does for the space program!) sent underwater to solve this murder for mostly bureaucratic reasons but also personal ones, and, as I knew I would be when I ordered it, I am loving the artwork, which is very similar to MIND MGMT and has a colored-pencil-and-watercolors quality to it that I like a lot. This series somehow didn’t make it to my comics pull list proper, but I’ll definitely be picking up the trade when it comes out in a couple months.

Weekend Shorts: Post-Hurricane Comics

Hey, look, a theme! And this is really a double theme, as my pile of comics reflects the fact that we’re in RIP season with mystery and spookiness abound! I enjoyed these comics outside in the lovely post-hurricane weather that approximates fall in Florida, and I’m hoping that weather sticks around but not the hurricane stuff. I don’t think my heart can take another one this year!

Goldie Vance, #1-4, by Hope Larson and Brittney Williams
Goldie Vance #1I put this series in my pull list basically as soon as I heard about it, back when it was just a four-issue thing. I actually have #5 in my house, as this series, like all the other miniseries I’ve subscribed to, is now ongoing, but I figured let’s take this one arc at a time.

It’s not quite what I was expecting; it’s advertised as along the lines of Nancy Drew and Veronica Mars and other Girl Detectives, and it… is, but it isn’t. It lacks the depth of mystery found in those stories, proooobably because it’s a comic and it’s intended for tweens and how much space do you have in those 20-something pages, anyway, and I found myself rather baffled and a bit disappointed in the ending.

But, on the other hand, you have delightfully fun characters. There’s Goldie, who wants nothing more than to solve ALL THE MYSTERIES; her friend Cheryl, who wants to be an astronaut; Walter the beleaguered actual detective who wants nothing more than to be left alone and maybe meet a hot chick; and Goldie’s dad and mom, hotel manager and mermaid-costumed entertainer, respectively. Did I mention this book is set in 1962, in Florida? And that most of the main cast is not white, and that so far that’s not a plot point? And that Goldie Vance is apparently a race-car driver with a crush on the hot record store chick? The mystery might be the weirdest, but I’ll stick with this cast for a little while longer and see what they’re up to.

Beyond Belief, #2-3, by Ben Acker, Ben Blacker, and Phil Hester
Beyond Belief #3I thought these would be perfect RIP reads, until I got to the end of #3, realized there was a #4 to be had, scoured my shelf to find it, couldn’t find it, and then took to the internet to discover it CANCELLED. Who cancels what I presume was already the final issue??? Gah, comics publishers are the worst.

Right, so, anyway. Frank. Sadie. Reluctant monster hunters. In issue 2 they take on the incredibly creepy imaginary friend of the moderately creepy imaginary friend of a little girl who used to have under-the-bed monsters which Sadie is very sad not to get to meet. After besting this beast, Sadie’s friend Donna from issue 1 is kidnapped, leading to…

Issue 3! In which Frank and Sadie take on a literal tree with a literal cult following that seems to be doing evil but might actually be doing good but it is VERY HARD TO SAY BECAUSE THERE IS A CLIFFHANGER ENDING THAT I WILL NEVER BE ABLE TO FINISH THANKS IMAGE. I might be be overly upset about this, but, I mean, seriously. I really enjoyed these two issues, which have a perfect blend of weird creepy story and Frank and Sadie banter and truly amazing artwork that captures the over-the-top quality of this series.

What’s that? If I put my mad librarian skillz to use I can actually find issue 4 available for purchase online? Excuse me a second…

[$3 and several minutes later…]

Beyond Belief, #4, by Ben Acker, Ben Blacker, and Phil Hester
Aha! So. Yeah. The literal tree was being sort of a good guy, as he was trapping a big evil. Meanwhile, two detectives get in on this case and one of them becomes a ghost and the other one becomes Donna’s husband (I mean, later, not in this issue, there’s no time!), and all the good things I said about the previous issues still hold.

I do hope, whatever caused this shenanigan aside, that there can be more Thrilling Adventure Hour comics (Sparks Nevada too!) in the future, because they are sooooo good. I mean, I’m still getting sporadic radio shows in my feed long after the podcast “ended”, so anything can happen!

Locke & Key Volumes 4-6, by Joe Hill and Gabriel Rodríguez

Locke & Key, Vol. 6I managed to spread the first three volumes of this series out over the span of four months, but then RIP started and I love this series and I couldn’t help myself and read the last three over the course of 24 hours. As you do. I can’t say I’ve finished the series, thankfully, as I have been made aware of both an audio adaptation of the series and some one-shot comics in the universe that are not yet free to me but which might need to be purchased anyway because yes.

In these last three volumes, things get pretty intense, which is quite a feat for a series that started off with a violent murder. We finally get the backstory of Keyhouse and just how all those keys came to be in existence, and we find out how Dodge came to be, well, Dodge, and what he’s willing to do to make his evil dreams come true. Terrible things happen to people we’ve just met and people we’ve (I’ve) come to love. Awful truths are told and inevitable truths are encountered. Things go very very poorly, but, spoilers, things also turn out all right.

I obviously love the insane premise and plot of this series, with magic keys and evil schemes and spooky wells and mean shadows and supernatural enemies everywhere. But what I think makes this series so perfect is that Hill and Rodríguez depict all of this happening to actual real human beings with actual real human emotions and flaws (except when said emotions have been removed but that’s a whole other thing). Our kid heroes deal with kid problems and also adult problems that kids run into — making new friends, navigating relationships, dealing with an alcoholic parent, taking on adult responsibilities when no one else will. They also deal head-on with societal prejudices of race, class, disability, sexual orientation, and more, and force the reader to look at their own assumptions, like my very serious assumption that the dude with ridiculous facial hair was obviously going to be a bad guy (spoilers: somehow not at all?).

And, of course, the art is amazing. I’m much worse at describing my love for comics art than prose, but I think it’s right when I say that the drawings — the shapes, the facial expressions, a flip of hair — and the colors perfectly exhibit the emotions of the characters and the world around them. There are some interesting similarities in the way that some characters are drawn that I at first took for a mistake but may, looking back, be part of a larger story, and I love that I can see that in this book.

There are problems in the series, of course, from overly simplistic characterizations to completely unlikely dialogue to too-easy answers to the slightly-too-happy-for-me ending. But there is so much good in it that I am willing to let that slide, and then to seek out all the everything ever set in this universe, so clearly I am head over heels for this thing.

Are there any comics or stories in general that make you feel this way? What other series are the complete package like this one?

Weekend Shorts: The Spire and MaddAddam

I bring to you today one comics mini-series and one audiobook, not chosen for their similarities but which are similar nonetheless. Fascinating worlds, interesting characters, and flashbacks abound in both of these stories, and there’s definitely some crossover of themes. Clearly I have a type when it comes to my stories.

The Spire, #1-8, by Simon Spurrier and Jeff Stokely
The Spire #1I picked up this series just about a year ago when issue #3 came out, also picking up #2 that day and then waiting a couple weeks for #1 to make its way between stores. I had intended to buy all of them and read them as they came out, but I only did the first part — I couldn’t not own all these amazing covers, but apparently also couldn’t stand waiting for more story. But once I had all eight delightful issues in hand, it was time to binge!

And seriously, wow, this series is good. I came for the artwork, but I stayed for the story. Said story follows Commander Shå of the City Watch (City Watch!), a sort of offshoot of the regular police force comprised of “skews” — a derogatory term for beings who are not quite human and who therefore generally creep polite society out. Shå gets caught up in the investigation of a pretty brutal murder, and then several pretty brutal murders, all of which point back to a strange history between the city and the people and skews who live outside its walls.

It is… I can’t stop saying that it’s really good. There’s a lot of stuff going on in the series, and it’s all intriguing. Besides the murders you have of course the prejudice against skews to work with, Shå’s secret relationship with someone she really shouldn’t be dating, flashbacks to the current ruler’s venture outside the city wall’s, a power trip by a future ruler with ulterior motives, a mysterious and powerful being that some people want to murder, fighting, magic, love… I’m not really sure how all this fits into eight issues but it does, perfectly.

Also, the artwork. I want so many of these covers and pages and panels blown up to ridiculous size and plastered on all my walls. The style and the colors are totally my jam.

I am only sad that that’s the end, but maybe if I’m lucky these guys will pair up again and make something equally fantastic. At the very least, the good thing about comics is that people make SO MANY of them that I’m sure to find either the writer or the artist somewhere else soon!

MaddAddam, by Margaret Atwood
MaddAddamTrue story: I was absolutely convinced I had read this book already, to the point where I had to page back through my Goodreads “read” list to discover that no, Scott and I had only listened to the first two books in this series on our various road trips. Conveniently, a road trip cropped up shortly thereafter and I downloaded this right quickly.

As a book, it’s great. It takes place right after The Year of the Flood and catches us up on what’s going on with our God’s Gardeners and our Crakers and our Jimmy/Snowman/Snowman-the-Jimmy. It’s not terribly good news, as the Painballers are loose and the pigoons are in fighting form and the Crakers continue to be the most annoying four-year-olds. But, on the plus side, while our friends are dealing with this mess we get to have some more backstory, in the form of flashbacks from Gardener Zeb about his life and that of his brother, Adam One.

Unfortunately, it was kind of a dud road trip book. It was so similar in tone and even story to the others in the series that it was very easy to zone out during the audio, and there wasn’t a lot of really new information to keep our attention. Even in the “fight scenes”, there wasn’t a lot of action going on, and those were few and far between. Scott was willing to let me listen to the book, because I was actually interested in it, but he slept through a lot of it and missed the parts I listened to on my runs and when it came time to summarize what he’d missed it was a lot of, “Well, Zeb told some more stories about Adam One and also there’s this chess piece with drugs in it”, or “Well, the Crakers were annoying and also the pigoons came and made a truce with the humans so they could all go kill some Painballers.” So, lots of nothing with some exciting punctuation.

I still liked it a lot. I love this world that Atwood’s made and I would probably read several more books set in it because there’s still more to know. But it’s definitely a book that should be read when you have lots of time and attention to pay to it.

Weekend Shorts: Wayback Machine Edition

So, this summer went kind of insane on me, and I ended up reading a bunch of comics and then not blogging about them. So this post is about things I read, uh, two or more months ago and am just now getting around to writing about. Please forgive me for everything I am about to forget to mention!

Locke & Key, Vols. 2 & 3, “Head Games” and “Crown of Shadows”, by Joe Hill and Gabriel Rodriguez
Locke & Key Vol. 2Man, I really do love Locke & Key. The art is amazing, the colors are amazing, the stories are amazing… it’s a complete package.

In Volume 2, our creepy ghostly Bad Guy, Zack, has failed to think about the fact that teachers remember their students, especially when said students show up in the exact same high-school age body decades later. While Zack’s cleaning up that mess, Bode finds a key that literally opens up a person’s head and lets you put things in and take them out. This is useful for both studying for a test and for removing debilitating fear, but of course these benefits don’t come without consequences.

In Volume 3, we get an awesome Bad Guy Spirit Fight to start things off, which, awesome. Then we see Kinsey making some new friends who lead her off to see some weird and dangerous stuff for funsies, and we see that Nina’s alcoholism is both out of control and maybe possibly kind of useful in this strange house. But mostly out of control. Also, even better than the Spirit Fight, we get a creepy-ass Shadow Fight, which is really kind of horrifying if you stop to think about it too long.

I’m going to stop thinking about it right now, and maybe go grab some more of these trades off hoopla. Love!

Giant Days, #13-14, by John Allison and Max Sarin
Giant Days #13After the Great Binge of Spring 2016, it took a while for new issues to show up on hoopla. But when they did, I grabbed them! (Of course, now there are a bunch more and I must go get them all!) Issue #13 is a day in the life of Esther — she’s run away from university back to mum and dad, and although it seems like a great adventure at first, it’s not uni and therefore is the worst. Luckily Susan and Daisy are on the case! Issue #14 covers the college student’s worst nightmare — putting off housing so long that there’s nothing left to find! A mad dash and a secret app may or may not get my favorite girls a home in the end. Can’t stop, won’t stop, loving this series.

The Hitchhiker’s Guide to the Galaxy, by Douglas Adams
The Hitchhiker's Guide to the GalaxyThis one’s not a comic, but an audiobook. One of my book-club-mates picked this one out as an easy summer read, which, yes, but after my discovery, uh, seven years ago (so ooooold), that the series doesn’t really hold up to a second reading, I was not terribly excited. Then I discovered that I had the option to have Stephen Fry read the book to me, and I was like, oh, well, that’s all right then.

As I said oh those many years ago, a lot of this book relies on its unexpectedness, so again, it wasn’t really the most exciting re-read. But! If you have the chance to talk about the book with a bunch of people reading it for the first time, it’s totally worth it, even if the book club meeting is just people going, “42! Slartibartfast! Vogon poetry! Fjords!” Also, Stephen Fry.

Weekend Shorts: More Volume Ones

I feel like I read a LOT of Volume Ones these days, and then I just, like, forget to read the rest of the series. And it’s not like I’m reading a lot of terrible series; it’s just that there are so many new ones to try that the good ones still get lost in the shuffle.

But, whatever, here are three more Volume Ones to add to the collection!

Descender, Vol. 1: “Tin Stars”, by Jeff Lemire and Dustin Nguyen
Descender, Vol. 1I read the first couple of issues of this series in my catchup binge a couple of months back, and I was like THIS SERIES HAS A ROBOT BOY YOUR ARGUMENT IS INVALID. Which still stands, really, but I’m a bit less excited about it now.

These six issues lay out some very interesting backstory with the promise of intrigue and subterfuge, which are things I am a big fan of, in the present. But the intrigue is less about strategy and more about brute force, which gets boring pretty quickly. I’m really not clear what is up with all the people trying to find my Robot Boy, and I’m not sure the book is either, what with all the trips into Backstory Land that are much more interesting than the main story.

I do have the second volume on hand, purchased at half price before I had finished the first one, and so probably maybe someday I will continue on with the series. But there will be dozens of other Volume Ones ahead of it, probably.

Paper Girls, Vol. 1, by Brian K. Vaughn and Cliff Chiang
Paper Girls, Vol. 1This one, on the other hand, I’m regretting reading only because the next issue JUST came out and therefore a Volume Two is still in the distant future. Which is appropriate to the content of the book, I suppose.

The first issue promised me aliens in Cleveland, so of course I was all over it, but what we get is even stranger — time travelling teenagers in some kind of war with a different set of time travelling people, with dinosaurs, and Apple products, and I don’t even know what’s going on but man Cliff Chiang’s art is the prettiest.

This volume could almost have fallen into the same “too much brute force” category as Descender, but there’s enough subtle intrigue with the time travelers (and such a smart cliffhanger ending) that I am happily looking forward to more.

Preacher, Book 1, by Garth Ennis and Steve Dillon
Preacher, Book 1I guess this isn’t technically a “Volume One”, as it collects a few more issues than the official Preacher, Vol. 1, but it’s got a 1 on the cover so it counts!

I read this because the people at my favorite comics podcast did a show on it and while I usually skip the shows about things I haven’t read, the discussion was interesting enough to keep listening. That sounds like a vote for a series in my book! And then it was free on hoopla, so it was clearly fate.

But, well, I definitely won’t be reading more of this. Not because it’s not interesting, which it is, with its concepts of gods and religions and hate and fear-mongering and all sorts of other fun human stuff. And not because the art’s not gorgeous, which it is, with incredibly detailed drawings and lovely colors.

What it is is that the story and the art are both just too gruesome for me. There’s this crazy scene that I had to show my husband, because I couldn’t be the only one to see it, with a guy whose face has been flayed and, like, tacked back on, and it is objectively a fascinating panel and an intriguing bit of story, but the fact that it’s only marginally weirder and grosser than other bits of the story means this book is just not for me. I’m really wondering how this has been turned into a TV show, but I really don’t think I want to watch it to find out!

Weekend Shorts: Locke & Sandman

Last week I talked about bingeing on single issues on hoopla, but this week I’m going to talk about a couple of trades that I read and loved and probably the only thing stopping me from binge-reading the rest of the already completed series is that I wanted to come tell you all about them first. Darn you, internet persons!

Sandman, Vol. 1: “Preludes and Nocturnes”, by Neil Gaiman, Sam Kieth, Mike Dringenberg, and Malcolm Jones III
Sandman, Vol. 1Sandman has been on my list of comics to read for a very long time, even before I considered myself a “comics person”. And since the whole series is on hoopla, that’s totally going to happen. Eventually.

This first volume is interesting. It’s essentially the story of Dream, who is accidentally summoned instead of his sister, Death, by some less-than-great summoners. The first issue covers the bad things that happen when you trap the god of dreams in the mortal world — people who sleep forever, people who can no longer sleep — and what happens when that god gets out — revenge in the form of eternal waking. Remind me not to piss off a dream god, is what I’m saying.

The rest of the volume follows Dream as he recovers from his imprisonment and hunts down his stolen tools. This part is a little weirder, as Dream meets not only Cain and Abel but also John Constantine and weird demons and some Justice League people I don’t know and a weird crazy villain guy… There’s a lot going on.

I think my favorites of the issues are the first one, which sets everything up, and the sixth one, which pits a bunch of people against each other as their minds are controlled and which is quite well done in terms of story and art.

I wasn’t as super sold on this series as I’d hoped I’d be, but I recall from my initial interest in the series that the first volume isn’t necessarily the place to start so I’m pretty sure it’ll get better. I just need to find time to read nine more volumes!

Locke & Key, Vol. 1: “Welcome to Lovecraft”, by Joe Hill and Gabriel Rodriguez
Locke & Key, Vol. 1This volume, on the other hand, was awesome sauce from beginning to end. I’m a sucker for a creepy murder story and also for a creepy supernatural story, and this is both!

The book starts off with the horrible murder of a high school guidance counselor by a bright but very troubled student, flashing back and forth between the murder and the aftermath. The counselor’s family makes it out alive, but they decide to pack up all their stuff and move into the counselor’s childhood home, called Keyhouse, with his brother. As these things go, though, Keyhouse is not necessarily a safer place for the family — the house is full of secret places and mysterious keys and an apparition who seems to be running the whole show from the bottom of a well.

I love the way this book plays with its creepy elements, interspersing them perfectly with the mundane to make everything seem almost normal. I also love the characters; Hill does a great job of showing their love for each other even while they’re still a bickering family. And that chick in the well, well (HA), she’s veeery intriguing and I’m looking forward to seeing what she does next.

Weekend Shorts: The Inevitable Hoopla Binge

When I first started with hoopla, I thought I could be responsible. I could check out a trade here and a couple issues there, and I’d be fine. FINE. I could stop at any time.

But no, no I couldn’t. With one of my libraries offering me an absurd number of checkouts every month, I should have known it would only be a matter of time before I read 25 single issues over the course of three days. I’m fine.

Of course, this makes for terrible blogging as I can’t possibly remember all those stories enough to write about them, but here’s my best college try:

Giant Days, #5-12, by John Allison and Lissa Treiman
Giant Days #12It’s just, it’s so good, guys. It’s also appropriate that this series would lead to my downfall, as my beloved characters are also having some seriously bad times in this set of issues. My BFF Susan is off having an unexpected relationship that starts off okay but runs into some serious turbulence when Susan stops putting enough effort into it. Esther continues her term as Drama Queen with both an end-of-term panic over not studying for exams and an ill-advised relationship with a TA. Ed finally finds a girl who likes him back but that relationship fizzles before it even begins. Daisy stays relatively drama-free but does become temporarily obsessed with Friday Night Lights. The stories continue to be adorable and hilarious. I am mad at myself for reading all of these and not saving any for later.

Welcome Back, #1-5, by Christopher Sebela and Jonathan Brandon Sawyer
Welcome Back #1I actually own the first two or three of these in print, but am lazy and had hoopla handy so I read everything available there in one go. I’m kind of mad at myself for reading all of these, but for a different reason.

See, I own the issues because this was supposed to be a quick four-issue series, and I’m a weird backward person who buys those in issues but ongoing series in trades. But if you are proficient in numbers, you’ll see that I read five issues because someone decided to make this an ongoing series.

I can see why — the series has an interesting premise in that there are people in the world (lots of people? Just a relative few? It’s not super clear) who are involved in some crazypants eons-long war for the purpose of which one hunts the other down, kills them, and then kills themself so that the two can reincarnate together and do it all again. Why this seemed like a great idea to whoever set it up, I do not know, but it leads to some very exciting intrigue and subterfuge so I am willing to suspend some disbelief for a while.

But what I can’t let go of is the fact that there is a pretty obvious ending that’s being built up to in issue four, but at the last minute the story swerves to accommodate the new ongoing nature of the series and ruins it. I don’t know if it would have been a great ending (I’ve been burned by miniseries before), but I can tell that it didn’t get a chance to be. Issue five was okay, but I’m not sure I’m excited enough about it to keep going.

Lumberjanes, #14-24, by Noelle Stevenson, Shannon Watters, Brooke Allen, Carolyn Nowak, and Carey Pietsch (and other people too)
Lumberjanes #14Holy Mae Jemison. This is what happens when you have a nice relaxing day off of work and you get all your productive stuff done early. You get to read ALL THE LUMBERJANES. What happened here, let’s see…

Well, badges, obviously, but also a crazy snowstorm that leads to some interesting and terrible camp backstory, mermaids with friendship problems, and some serious shape-shifter adventures. Throughout, our favorite Lumberjanes work through the lovely insanity of friendship to the max, including reining in loose cannon friends and dealing with new friends who seem like they’re taking over and wondering whether friendship is more important than personal development. These are some deep thoughts to be reading about at the same time as mermaids, I’ll tell you.

Reading all these issues at once was a little crazy in another way, as there was some serious turnover going on at Lumberjanes headquarters, with the departure of Noelle Stevenson as writer and the introduction of other writers and artists. I have to say, if I can’t have Brooke Allen I hope I can keep having Carey Pietsch going forward; I think the two of them have the best interpretations of the characters. Writing-wise the series seems pretty much the same, probably because it’s hard to go wrong throwing teenagers into crazy supernatural circumstances.

Lumberjanes: Beyond Bay Leaf Special #1, by Faith Erin Hicks and Rosemary Valero-O’Connell
Lumberjanes: Beyond Bay Leaf #1Bonus Lumberjanes fun! Comixology says this is a one-shot special, so I’m not sure what’s up with the #1, but whatever, it’s cute. This issue is a weird sort of The Last Unicorn-esque story about a magic ghost pony and a strange camper who has designs on the pony and on the Lumberjanes while she’s at it. It’s completely outside the realm of regular Lumberjanes, so you don’t really need to read it, but if you love this series I know you’ll read it anyway.

Weekend Shorts: Gods and Avengers

The Wicked + The Divine, Vol. 3: “Commercial Suicide”, by Kieron Gillen and Jamie McKelvie
The Wicked + The Divine, Vol. 3After the insane ending of the second volume of this series, I was eager to get my hands on this one. So imagine my surprise when I jumped in and found out that this arc has very little to do with those very important events. Shoot!

Well, all right, the first issue (#12) covers a bit of the aftermath, but the story is mostly an excuse for some god-fighting, which is pretty cool on its own, so, okay. The subsequent issues delve a little more into the stories of the individual gods, mostly the ones who haven’t been front and center so far. There’s an issue for Tara that is secretly about the price of fame and the awfulness of the internet, one for Woden that clarifies a few things that happened earlier, one for Amaterasu that talks about identity and appropriation, a… very odd one for The Morrigan and Baphomet, and one for Sakhmet that reminds everyone that cats are adorable and dangerous.

Then, finally, in the last pages, the so-titled “Inevitable Cliffhanger”. These guys are killing me, I swear.

Speaking of these guys, this volume was a little strange as most of the issues weren’t actually drawn by McKelvie, who was gallivanting about somewhere and was replaced by various artists on each issue. Some of the artists stayed close to McKelvie’s art, which made things a bit uncanny valley as I strived to remember who this particular chick with short black hair was supposed to be, and some of the artists (especially Brandon Graham in the Sakhmet issue) went in a completely different direction, which was even more distracting. I don’t know how people who read superhero comics put up with fill-in artists on a regular basis; so much of what I love about my favorite comics is the art and it is so strange to see anything else.

Hawkeye, Vol. 4: “Rio Bravo”, by Matt Fraction and David Aja
Hawkeye, Vol. 4Although, to be fair, guests artists can’t be any stranger than this whole Hawkeye run, especially these last two volumes. Reading them in the collected volumes is the way to go, definitely, since the two storylines trade off in the issues but are kept separate here.

Unfortunately, they gave me the better storyline first, with Kate Bishop off in LA. This half of the story is… way more confusing. We get that terrible jumping-around-in-time thing again, leaving me baffled as to what order anything happens in, and it turns out that Clint has a brother who seems like he might be a bad guy, maybe, but maybe not?, and it also turns out that the tracksuit mafia guys are just trying to maintain a real estate deal, which, what, and also Clint goes deaf and resorts to sign language which makes for some really interesting page layouts but is SO CONFUSING.

I can see why this run didn’t make it any farther, is what I’m saying, but I’m also glad that I read it because Hawkeye is way cooler than Jeremy Renner and Kate Bishop is way cooler than Clint Barton and now I know these things and that makes me smart. And since the next volume of this series (Volume 5, collecting issues #1-5, I hate comics numbering) is written by Jeff Lemire, it is very likely that I will be checking that out in the near future.

Weekend Shorts: Comics That Disappointed Me

I didn’t intend this post to be a total downer, but as I wrote it that’s what came out, so that’s what you get. Feel free to skip this post in favor of reading a really good book. But if you like it when I get grr-y and arrgh-y, read on.

Federal Bureau of Physics, Vol. 4: “The End Times”, by Simon Oliver and Alberto Ponticelli
FBP, Vol. 4I just can’t even with this series. It started off pretty well, with the pseudoscience and the cheeky tone and the interesting world building. But then the book got caught on this idea of a Big Bad Guy and some Ulterior Motives and the tone got more serious and the science, pseudo- or not, became a sidenote and the world of the story got too small to matter.

In this last volume… I don’t even know what’s happening here. Most of our heroes are still in the Giant Underground Bunker of Conspiracy-Land, and then Adam is off in space or wherever and something something dark matter and something something everyone’s dead? I think?

Meanwhile, my precocious child friend and her mom are wandering about, looking for safety on an Earth that is literally falling apart because reasons. There are reasons, but those reasons don’t make any sense, and neither does pretty much all of this book. I didn’t mind things not making sense when there were magic physics canyons; when it seems like I’m supposed to be understanding some Deeper Meaning it is the worst. On the one hand, at least the series is over? On the other, I wish it had been so much better.

The Fiction, #1-4, by Curt Pires and David Rubin
The FictionI saw this comic on sale at my local comic shop and the cover was pretty and the inside art was pretty and it was called The Fiction and please, how was I not going to pick that up? And then I never actually opened the issue that I bought because I found the whole four-issue series on hoopla and read them all in an afternoon.

Unfortunately, I mostly read them all because “all” was four and I had nothing better to do and I hoped, unrequitedly, that it would get better.

It starts off strong, with a guy finding an old book and then mysteriously disappearing. Then we get a flashback to that guy as a kid (I had pegged them as maybe 10 but I guess they’re actually 15-16?) hanging out with some friends as their parents get up to slightly abnormal parent things. The friends find one of these books, start reading it, and find themselves in a fictional world. And then they return — but one is left behind.

Intriguing, right? So the guy in the present day is lost in the fictional world again and his old friends go after him only to find that the world they remember has gotten rather more bleak in the meantime. And this is where things go off the rails, as the author pulls in a bunch of stuff about, like, a malevolent entity and bad things that may or may not have happened to those parents, and there’s unnecessary romance and the art becomes basically stock B horror movie footage of an evil world and it’s still pretty but it’s so done and ugh. And then the ending. Let’s not even talk about that.

So, yeah. Skip this one, unless you’ve got hoopla, a beer, and literally nothing better to read.