I made an agreement with my boss that we would switch off reading the books for the library book club, which definitely seemed like a great idea after my disastrous first outing with them. But then the next book up, this one, sounded actually pretty interesting and so I stole it from my boss so I could have a good book club experience.
The best-laid plans…
Except this time, it was the rest of the club (only half of whom even showed up) that hated the book, while I was like, wait, I thought it was pretty okay!
It could have been better, sure, but it was so squarely in my wheelhouse I couldn’t hate it when I tried. It’s got multiple points of view, multiple time period settings, interwoven plot lines, Big Mysteries, awesome lady protagonists, and a hint of the supernatural. It’s also a quasi-gothic novel, which is a genre of book that I seem to like more in theory than in the reading but I really like it in theory, so.
What actually happens in the novel: In the present day, a woman violently kills her family and herself, and her estranged childhood best friends, who are sisters, come together to figure out if it had anything to do with that Big Mysterious Thing that happened to them as children. In that childhood period, the Future Murdery Woman and the sisters hang out and navigate teenagerhood and also try to figure out the Big Mystery of the motel FMM’s family lives in. In the farther past, FMM’s mother navigates her own teenagerhood and also tries to figure out the Big Mystery of her sister, who she thinks might be a shapeshifting mare of the kind that her grandmother once warned her about.
It’s a fascinating novel, playing with genre and switching styles between the three time settings as the location setting stays the same — or rather deteriorates, as vacant motels are wont to do. There’s something cool to be seen in the fate of the motel through the generations and in how it is represented, first as a strongly gothic imposing presence and eventually just as a creepy sort of place. There’s a not-subtle nod to Hitchcock and Psycho included in the book as well, and he’s definitely a strong influence on the story.
Where it went wrong for the rest of the club and admittedly a little bit for me as well is the ending, which [SPOILERS FOR THE REST OF THIS PARAGRAPH] takes what I expected to be either an ambiguous ending or a heavy metaphor about life and swerves to the completely literal, having those mares be real and having some of the characters actually be these shapeshifters. This revelation doesn’t quite fit with the tone of the rest of the novel and so is completely jarring, leaving me with a “Bwuh?” face and then a “Hmmph.” face as a finished it. But with some space between me and the book, I find that I kind of liked it as a “twist” ending. It reminded me a bit of another novel I read a few years ago, though I’m pretty sure there weren’t actual demons in that one? Man, I need to write more spoilers in my reviews so I can remember these books better.
That was a long spoiler tangent, sorry!
Anyway, I ended up liking the book more academically, for playing around with literary conventions, than for its entertainment value, as it is lacking a bit in the plot and character departments. My book clubbers would argue that it’s lacking completely in those departments, but I stayed intrigued the whole way through so I’ll give McMahon points for that. And I will definitely be putting her on my list of Authors Whose Best Works I Should Read Some Day, as she’s pretty prolific and has some apparently very good works to her name.
Recommendation: For those looking for a moderately spooky read and who like a novel that plays with convention and expectation.