The Wicked + The Divine, Vol. 3: “Commercial Suicide”, by Kieron Gillen and Jamie McKelvie
After the insane ending of the second volume of this series, I was eager to get my hands on this one. So imagine my surprise when I jumped in and found out that this arc has very little to do with those very important events. Shoot!
Well, all right, the first issue (#12) covers a bit of the aftermath, but the story is mostly an excuse for some god-fighting, which is pretty cool on its own, so, okay. The subsequent issues delve a little more into the stories of the individual gods, mostly the ones who haven’t been front and center so far. There’s an issue for Tara that is secretly about the price of fame and the awfulness of the internet, one for Woden that clarifies a few things that happened earlier, one for Amaterasu that talks about identity and appropriation, a… very odd one for The Morrigan and Baphomet, and one for Sakhmet that reminds everyone that cats are adorable and dangerous.
Then, finally, in the last pages, the so-titled “Inevitable Cliffhanger”. These guys are killing me, I swear.
Speaking of these guys, this volume was a little strange as most of the issues weren’t actually drawn by McKelvie, who was gallivanting about somewhere and was replaced by various artists on each issue. Some of the artists stayed close to McKelvie’s art, which made things a bit uncanny valley as I strived to remember who this particular chick with short black hair was supposed to be, and some of the artists (especially Brandon Graham in the Sakhmet issue) went in a completely different direction, which was even more distracting. I don’t know how people who read superhero comics put up with fill-in artists on a regular basis; so much of what I love about my favorite comics is the art and it is so strange to see anything else.
Hawkeye, Vol. 4: “Rio Bravo”, by Matt Fraction and David Aja
Although, to be fair, guests artists can’t be any stranger than this whole Hawkeye run, especially these last two volumes. Reading them in the collected volumes is the way to go, definitely, since the two storylines trade off in the issues but are kept separate here.
Unfortunately, they gave me the better storyline first, with Kate Bishop off in LA. This half of the story is… way more confusing. We get that terrible jumping-around-in-time thing again, leaving me baffled as to what order anything happens in, and it turns out that Clint has a brother who seems like he might be a bad guy, maybe, but maybe not?, and it also turns out that the tracksuit mafia guys are just trying to maintain a real estate deal, which, what, and also Clint goes deaf and resorts to sign language which makes for some really interesting page layouts but is SO CONFUSING.
I can see why this run didn’t make it any farther, is what I’m saying, but I’m also glad that I read it because Hawkeye is way cooler than Jeremy Renner and Kate Bishop is way cooler than Clint Barton and now I know these things and that makes me smart. And since the next volume of this series (Volume 5, collecting issues #1-5, I hate comics numbering) is written by Jeff Lemire, it is very likely that I will be checking that out in the near future.