I read the first book in this series, and Jemisin’s first novel, The Hundred Thousand Kingdoms, a little over a year ago, and liked it pretty well. I thought the premise was interesting and the writing very cool if kind of weird to follow sometimes. Then I followed that up with Jemisin’s most recent novel, the first in a completely different series, The Fifth Season, and I loved that book SO HARD. I have no idea when that book’s sequel is coming out, so until then I’ll be over here reading through Jemisin’s decent-sized backlist.
I was a little worried coming back to this series, since I loved the later book so much more, but this book falls solidly in between the two on my Line of Adoration that I just made up. It’s technically a sequel to the first book, but I barely remember the details of that book and I did just fine here. All the stuff from the first book that’s important is mentioned when needed, and anything else is just window dressing.
And, luckily, this follow-up gets rid of the weird interludes of the first novel that made it so hard to read. This narrative is much more straightforward, but it still has a bit of a twist in that the protagonist is blind. Sort of. I mean, yes, she’s blind, but she can “see” magic and the things that magic touches, and there’s a lot of magic in this book. So the narrative is filled with a lot of description of touching and hearing and smelling and so forth, but then also sometimes with some unexpectedly complex descriptions of seeing. I don’t know if that makes sense, but then this is a Jemisin novel and that’s just what you’re getting into when you read one.
Aaaaanyway, in the story proper our protagonist, Oree, is living a more or less simple life as a blind artist and vendor, while also hanging out with godlings (the gods’ kids) and housing a very strange sort of being who doesn’t really talk to her. This is all fine until a godling she sort of knows ends up dead, which is not, so far as anyone knows, actually possible, and Oree ends up a prime suspect due to her relationships and her not-so-well-hidden magical talents. As Oree tries to figure out what’s going on in all quarters, she learns some very interesting things about the gods and the government and the way their strange world works.
And I loved it. I am officially a Jemisin fangirl, not to be stopped, and I am very much looking forward to continuing in her backlist. I love the worlds she creates and her characters and their adventures and the fact that she can develop so much drama and action and emotion in a relatively normal-sized novel — 400 pages is not nothing, but it’s easier to handle than certain other series I could name!
Recommendation: For lovers of fantasy and mythology and gorgeous sentences.