Goodness, it has been so long since I actually read these stories that I can only hope I will remember all the good parts! With any luck I will be getting back into the swing of this, though, and there will be more short story goodness in the future. Especially this Wool series; it’s turning out to be really quite awesome!
Wool #3: Casting Off, by Hugh Howey
After the expectedly-not-as-great-as-the-first-story second story of this series, I was a little bit nervous about continuing on. For no good reason, it turns out! This installment opens with our newly minted sheriff, Juliette, heading out for a cleaning, which is a very bad thing indeed. She ponders just how she got herself into this predicament, which naturally segues into the actual story of how she got herself into this predicament. Yeah, it’s not the most original opening, but I am a total sucker for its kind and so this story scored points with me right from the beginning.
Howey gets into the meat of the political shenanigans here, with our new sheriff attempting to do her job and certain people making that basically impossible but with a shiny veneer of helpfulness that makes it hard for Juliette to argue. Unfortunately, the people who are actually being helpful to our sheriff are the ones who are about to make boatloads of trouble and make our opening happen. But it’s what happens after that opening sequence that makes me really super-duper excited for the next installment…. Man, I wish these stories were longer, so that I could say more about them, but on the other hand I can read more of them if they’re shorter, so…
“We Were Nearly Young”, by Mavis Gallant
Dang, this story. I didn’t really catch it while listening to the podcast, but I caught the gist of it in the discussion afterward with Antonya Nelson and thought it was pretty intriguing. Then I found a copy of the story here, and eyes-read it, and kind of fell in love with it.
The story itself is about a group of twenty-somethings all living in the same run-down building in Madrid in the fifties, being poor but being together and therefore being more or less happy, until such time as one of the twenty-somethings ruins the status quo. The group dynamics reminded me a bit of something like The Likeness or The Secret History, and so of course I was sold.
But what really makes the story so wonderful is the language Gallant uses, which is just so pretty that even though I wasn’t paying enough attention to it being read I knew it was a beautiful story. A line that especially drew me in in the print version: “It was not the English bun-face, or the Swiss canary, or the lizard, or the hawk; it was the unfinished, the undecided, face that accompanies the rotary sprinkler, the wet Martini, pussyfooting in love and friendship, expense-account foolery, the fear of the open heart.” Mavis Gallant, this is not the last time we shall meet.
“A Day”, by William Trevor
Where the last story was a bit confusing to me on first listen, this one dragged me right in. In it, a woman called Mrs. Lethwes spends a day pondering another woman called Elspeth. Elspeth is a bit of a mystery figure at first, is she Mrs. Lethwes’s sister? Friend? But as the story progresses, Trevor fills in more details about the Lethwes family and this Elspeth character, at least how Mrs. Lethwes sees and imagines them, and you (well, I) start to feel like you have totally had this particular day before in your life, up to and including all the attendant alcohol.
I think the best part of this story (spoilers?) is that you never find out what’s actually going on outside of Mrs. Lethwes’s head. Is Elspeth the way she imagines her? Is this day going to end the way Mrs. Lethwes thinks it will? Is it all just the alcohol talking? I DON’T KNOW AAAAHHH! And I love it.