Dudes. This was a really good book. I love me a dystopian novel, and I thought this one was especially effective because I could really, definitely see it happening. The Hunger Games? Eh, maybe. Shades of Grey? Definitely not. The Handmaid’s Tale, which this reminded me strongly of? Not really. This? Oh, I could totally see this.
The “this” I’m talking about is a world where the people we love are no longer dying for stupid reasons like decades-long organ transplant waiting lists… because the older, procreatively-challenged members of society are ready and mostly willing to fork over a kidney, or a cornea, or an auditory bone, or a liver, or a heart whenever there isn’t anyone else around to do it.
See, over in that Scandinavia area (if not everywhere), the population is divided into “needed” people — parents, schoolteachers, nurses — and “dispensable” people, with no one to take care of. These dispensable people are taken away at a ripe old age (50 for ladies; 60 for gents, who can sow their seeds a bit longer) to live in one of the titular Units, where they live wonderful lives of comfort and ease, with no need to earn money or cook for themselves or do anything at all that they don’t want to, except, you know, participate in medical and psychological experiments and donate an organ here or there until it’s time to donate a major organ.
Our dispensable friend is Dorrit, who didn’t try terribly hard to become needed and is rather enjoying her time in the Unit. We follow along as she has a relatively easy time of things, makes friends, makes a “friend,” and then makes a baby, which sort of throws everything out of whack both in the Unit and in Dorrit’s life. And boy, do things get interesting from there.
It’s not ever terribly exciting… the story is fairly slow-paced and the focus is really on the emotions of the people within the Unit, which are quite up and down, as one might imagine. And Holmqvist does a great job of this. She also does an excellent job portraying the whole Unit system as a pretty good idea, really, if not a very easily sustainable one.
There is a whole boatload of intriguing in this novel, and I may have to read it again at some point to really appreciate what Holmqvist has done and to look again at the interactions between the characters in a new light.
Recommendation: Grab it if you like a good dystopian novel or a good psychology-driven narrative.
Pass me yours, if you’ve got ’em.